Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends

Bennabhaktula Lavanya

doi:doi:10.11648/j.ss.20221103.18

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Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends

Bennabhaktula Lavanya

Published in Social Sciences (Volume 11, Issue 3)

Received: 13 June 2022 Accepted: 23 June 2022 Published: 30 June 2022

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Abstract

Historiography, as an intellectual and academic field, is concerned with the study of historical methodology, the examination of several schools of thought on a particular historical issue, and the history of the creation of historical accounts. For instance, paintings offer a visual experience of many forms, lines, processes, concepts, and historical representations. Art historians utilize visual analysis and sources in order to convey and appreciate the experience of concentrating on a subject while attempting to understand art history. Art historians who worked throughout the medieval period defined the miniature paintings of Medieval India by employing a variety of stylistic approaches, including analysis, development, and change, as well as characteristic styles. As part of their focus on patronage and style, they also highlighted the style and patronage of certain periods of time, specific locations, and specific artists. An examination of the cultural and historical milieu around the practice of miniature painting was carried out. Iconographic, contextual, historical, and critical techniques were utilized throughout their research for these publications, which were devoted to the study of medieval Indian art. In order to characterize the miniature paintings of Medieval India, art historians of the time period made use of a wide variety of stylistic analysis, development, and change as well as characteristic styles. As a part of their focus on patronage and style, they also highlighted the patronage and style of certain time periods, geographic locations, and artists. An exploration into the art of miniature painting was accompanied by research into its cultural and historical context.

Published in	Social Sciences (Volume 11, Issue 3)
DOI	10.11648/j.ss.20221103.18
Page(s)	188-193
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2022. Published by Science Publishing Group

Keywords

Art, History, Historiography, Miniatures, Paintings, Writings

References

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[3]	Dr. Daljeet and P. C. Jain, Indian Miniature Paintings: Manifestation of a Creative Mind, Brijbasi Art Press, New Delhi, India (2006) 30 Oct 2007. (pp 1-5).
[4]	B. N. Goswamy and Allen Lane, The Spirit of Indian Painting: Close Encounters with 101 Great Works 1100-1900 Illustrated, Dec 2014. (pp 1-10).
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[6]	Charu Smita Gupta, Indian Folk and Tribal Paintings, Roli Books Private Limited, 2008. (pp 5- 10).
[7]	B. N. Goswamy, Pahari Masters: Court Painters of Northern India, Niyogi Books, 2009. (pp 1-5).
[8]	J. M. Rogers, Mughal Miniatures, British Museum Press, 2006. (Introduction).
[9]	Andrew Topsfield, Paintings from Mughal India, Bodleian Library, 2008. (Preface).
[10]	S P Verma, Ordinary Life in Mughal India, The Evidence from Painting, Aryan Book International, 2012. (pp 1-10).
[11]	Britiany Daugherty, Rajput Women: Representations comparable to Western Gender Constructions, Art of the 18th Century: Gender and Visual Culture, Fall 2010, p. 4.
[12]	Gill Perry, Introduction: Gender and Art History, (Art and Its Histories Series), (Book 3) Yale University Press, 1999, p. 18.
[13]	Harsha V Dehejia and Vijay Sharma, Pahari Paintings of an Ancient Romance: The Love Story of Usha Aniruddha, Dk Printworld (P) Ltd 2011. (Preface).
[14]	Shivaji Panikkar, Parul Dave Mukherji and Deeptha Achar, Towards a New Art History: Studies in Indian Art (Essays presented in honour of Prof. Ratan Parimoo). New Delhi, DK Print World, 2004. pp. 1-50.
[15]	Parthe Mitter Indian Art (Oxford History of Art), Oxford May 2001. (P 1).
[16]	O. C. Gangoly, Ragas and Raginis: A Pictorial and Iconographic Study of Indian Musical Modes Based on Original Sources, Munshiram Manoharlal Publishers, May, 2004 pp 200-282.
[17]	Shalini Bharti, Women Attire in Miniature Painting: With Special Reference of Rajasthan, Published by Literary Circle, Jaipur, 2012. p. 1.
[18]	Dr. Daljeet, Ragachitra: Deccani Ragamala Paintings, Niyogi Books, 2014. (pp 1-5).
[19]	Joan Cornish Willies, Miniature Painting: A Complete Guide to Techniques, Mediums, and Surfaces, October 2015. (Preface).
[20]	Henry Beveridge, The Akbar Nama of Abu-l-Fazl, Atlantic Publishers, Vol 1 and 2, 2011.
[21]	Jagdish Mittal, Paintings of the Hyderabad school, Marg Deccani Kalams, Marg Publications 34-38, Bombay, March 1963, pp 43-44.
[22]	Stella Kramrisch, A Survey of painting in the Deccan, Hyderabad, 1937, p. 117.
[23]	Mark Zebrowski, Deccani Painting, Roli Books International, New Delhi, 1983, pp- 209-211.
[24]	Randawa, M. S., Indian Miniature Painting, Roli Books International, New Delhi, 1981, p-24.
[25]	Mathur N. L., Indian Miniatures, New Delhi, 1982, pp 23-25.
[26]	Mildred and W. G. Archer, Indian painting for the British (1770-1880), Oxford University Press, Oxford, 1955. pp. 74 – 76.
[27]	Douglas Barrett, Paintings of the Deccan, XVIth-XVIIth Century, The Faber Gallery of Oriental Art, London, 1958, p-2.
[28]	Mario Bussagli, Indian Miniatures, Paul Hamlyn, New York, 1969, p. 117.
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[32]	Anand Coomarswamy, In Introduction to Indian Art, Kessinger Publishing, 2007. (pp 1-5).
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[35]	Mulk Raj Anand, Album of Indian Miniatures, National Book trust, New Delhi 1973, p. 84.
[36]	Douglas Barret and Basil Gray, Treasures of Asia, Painting of India, World Publishing Company, Cleveland, 1983, pp. 115-129.

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Bennabhaktula Lavanya. (2022). Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends. Social Sciences, 11(3), 188-193. https://doi.org/10.11648/j.ss.20221103.18

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ACS Style

Bennabhaktula Lavanya. Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends. Soc. Sci. 2022, 11(3), 188-193. doi: 10.11648/j.ss.20221103.18

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AMA Style

Bennabhaktula Lavanya. Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends. Soc Sci. 2022;11(3):188-193. doi: 10.11648/j.ss.20221103.18

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@article{10.11648/j.ss.20221103.18,
  author = {Bennabhaktula Lavanya},
  title = {Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends},
  journal = {Social Sciences},
  volume = {11},
  number = {3},
  pages = {188-193},
  doi = {10.11648/j.ss.20221103.18},
  url = {https://doi.org/10.11648/j.ss.20221103.18},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ss.20221103.18},
  abstract = {Historiography, as an intellectual and academic field, is concerned with the study of historical methodology, the examination of several schools of thought on a particular historical issue, and the history of the creation of historical accounts. For instance, paintings offer a visual experience of many forms, lines, processes, concepts, and historical representations. Art historians utilize visual analysis and sources in order to convey and appreciate the experience of concentrating on a subject while attempting to understand art history. Art historians who worked throughout the medieval period defined the miniature paintings of Medieval India by employing a variety of stylistic approaches, including analysis, development, and change, as well as characteristic styles. As part of their focus on patronage and style, they also highlighted the style and patronage of certain periods of time, specific locations, and specific artists. An examination of the cultural and historical milieu around the practice of miniature painting was carried out. Iconographic, contextual, historical, and critical techniques were utilized throughout their research for these publications, which were devoted to the study of medieval Indian art. In order to characterize the miniature paintings of Medieval India, art historians of the time period made use of a wide variety of stylistic analysis, development, and change as well as characteristic styles. As a part of their focus on patronage and style, they also highlighted the patronage and style of certain time periods, geographic locations, and artists. An exploration into the art of miniature painting was accompanied by research into its cultural and historical context.},
 year = {2022}
}

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TY  - JOUR
T1  - Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends
AU  - Bennabhaktula Lavanya
Y1  - 2022/06/30
PY  - 2022
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AB  - Historiography, as an intellectual and academic field, is concerned with the study of historical methodology, the examination of several schools of thought on a particular historical issue, and the history of the creation of historical accounts. For instance, paintings offer a visual experience of many forms, lines, processes, concepts, and historical representations. Art historians utilize visual analysis and sources in order to convey and appreciate the experience of concentrating on a subject while attempting to understand art history. Art historians who worked throughout the medieval period defined the miniature paintings of Medieval India by employing a variety of stylistic approaches, including analysis, development, and change, as well as characteristic styles. As part of their focus on patronage and style, they also highlighted the style and patronage of certain periods of time, specific locations, and specific artists. An examination of the cultural and historical milieu around the practice of miniature painting was carried out. Iconographic, contextual, historical, and critical techniques were utilized throughout their research for these publications, which were devoted to the study of medieval Indian art. In order to characterize the miniature paintings of Medieval India, art historians of the time period made use of a wide variety of stylistic analysis, development, and change as well as characteristic styles. As a part of their focus on patronage and style, they also highlighted the patronage and style of certain time periods, geographic locations, and artists. An exploration into the art of miniature painting was accompanied by research into its cultural and historical context.
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Author Information

Bennabhaktula Lavanya

Department of History, University College of Arts and Social Sciences, Osmania University, Hyderabad, India

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Plain Text BibTeX RIS

APA Style

Bennabhaktula Lavanya. (2022). Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends. Social Sciences, 11(3), 188-193. https://doi.org/10.11648/j.ss.20221103.18

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ACS Style

Bennabhaktula Lavanya. Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends. Soc. Sci. 2022, 11(3), 188-193. doi: 10.11648/j.ss.20221103.18

Copy | Download

AMA Style

Bennabhaktula Lavanya. Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends. Soc Sci. 2022;11(3):188-193. doi: 10.11648/j.ss.20221103.18

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@article{10.11648/j.ss.20221103.18,
  author = {Bennabhaktula Lavanya},
  title = {Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends},
  journal = {Social Sciences},
  volume = {11},
  number = {3},
  pages = {188-193},
  doi = {10.11648/j.ss.20221103.18},
  url = {https://doi.org/10.11648/j.ss.20221103.18},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ss.20221103.18},
  abstract = {Historiography, as an intellectual and academic field, is concerned with the study of historical methodology, the examination of several schools of thought on a particular historical issue, and the history of the creation of historical accounts. For instance, paintings offer a visual experience of many forms, lines, processes, concepts, and historical representations. Art historians utilize visual analysis and sources in order to convey and appreciate the experience of concentrating on a subject while attempting to understand art history. Art historians who worked throughout the medieval period defined the miniature paintings of Medieval India by employing a variety of stylistic approaches, including analysis, development, and change, as well as characteristic styles. As part of their focus on patronage and style, they also highlighted the style and patronage of certain periods of time, specific locations, and specific artists. An examination of the cultural and historical milieu around the practice of miniature painting was carried out. Iconographic, contextual, historical, and critical techniques were utilized throughout their research for these publications, which were devoted to the study of medieval Indian art. In order to characterize the miniature paintings of Medieval India, art historians of the time period made use of a wide variety of stylistic analysis, development, and change as well as characteristic styles. As a part of their focus on patronage and style, they also highlighted the patronage and style of certain time periods, geographic locations, and artists. An exploration into the art of miniature painting was accompanied by research into its cultural and historical context.},
 year = {2022}
}

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TY  - JOUR
T1  - Medieval Indian Miniature Paintings: An Overview of the Latest Writings and Trends
AU  - Bennabhaktula Lavanya
Y1  - 2022/06/30
PY  - 2022
N1  - https://doi.org/10.11648/j.ss.20221103.18
DO  - 10.11648/j.ss.20221103.18
T2  - Social Sciences
JF  - Social Sciences
JO  - Social Sciences
SP  - 188
EP  - 193
PB  - Science Publishing Group
SN  - 2326-988X
UR  - https://doi.org/10.11648/j.ss.20221103.18
AB  - Historiography, as an intellectual and academic field, is concerned with the study of historical methodology, the examination of several schools of thought on a particular historical issue, and the history of the creation of historical accounts. For instance, paintings offer a visual experience of many forms, lines, processes, concepts, and historical representations. Art historians utilize visual analysis and sources in order to convey and appreciate the experience of concentrating on a subject while attempting to understand art history. Art historians who worked throughout the medieval period defined the miniature paintings of Medieval India by employing a variety of stylistic approaches, including analysis, development, and change, as well as characteristic styles. As part of their focus on patronage and style, they also highlighted the style and patronage of certain periods of time, specific locations, and specific artists. An examination of the cultural and historical milieu around the practice of miniature painting was carried out. Iconographic, contextual, historical, and critical techniques were utilized throughout their research for these publications, which were devoted to the study of medieval Indian art. In order to characterize the miniature paintings of Medieval India, art historians of the time period made use of a wide variety of stylistic analysis, development, and change as well as characteristic styles. As a part of their focus on patronage and style, they also highlighted the patronage and style of certain time periods, geographic locations, and artists. An exploration into the art of miniature painting was accompanied by research into its cultural and historical context.
VL  - 11
IS  - 3
ER  -

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