This paper deals with ancient codes embedded in world famous artefacts like the Sphinx and pyramids on the plateau of Giza. The same spatial codes are to be found materialized in the most ancient processed gold on Earth – the treasure trove of Varna Necropolis (4600 – 4200 BC). Amazing is the match found between those two groups of artefacts, bearing in mind that the gold from Varna Necropolis is at least 2000 years older than the pyramids. But the prototype of their sacred measure – the so called royal cubit – emerges in the system of measures related to the famous Varna Necropolis. It is there that I have been able to identify the prototypes of universal constants like the Golden ratio and Pi. The synergy of those two constants is there for us to uncover – for instance Pi times the Golden ratio. It is the simplest one in an array of complex proportions which come into effect in regard to primeval gold artefacts as well as pyramids. Surprisingly, the synergy of Pi with an exotic variant of the Golden ratio allows for the inference of a specific number, which matches the Inverse Fine structure constant. For this inference the ratio between the Planck-length and the Light second will be a starting point. On the one hand is the minimum span in the Space-time continuum (the Planck length), and on the other hand - the distance covered by light in vacuum within one second of time (the Light second). The sacred measure of pyramids is the royal cubit comprised of 28 equal parts called “fingers”. The length of the Great Sphinx comprises 140 royal cubits. It can be viewed as a super-measure from which the sizes of the three main pyramids on the plateau of Giza obtain. Suppose we were to divide this super-measure (the Sphinx-length) in 28 equal parts by analogy with the royal cubit being divided in 28 fingers. The result would be a span of 5 royal cubits. I maintain that (the Planck-length) times (10 to the power of 35) times (the Golden ratio number) yields 5 royal cubits, slightly longer than 0.523 meters each. Wishing to get closer to the actual length of the Sphinx, we might as well use a variant of the Golden ratio – the square root of (13/8 x 21/13) whereby 8, 13, 21 are consecutive Fibonacci numbers.
| Published in | American Journal of Applied Mathematics (Volume 9, Issue 1) |
| DOI | 10.11648/j.ajam.20210901.14 |
| Page(s) | 20-30 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2021. Published by Science Publishing Group |
Sphinx, Pyramids, Golden Ratio, Fibonacci Numbers, Light Second, Planck Length, Varna Necropolis Gold
| [1] | Hristo Smolenov, Aurolithic Patterns of Synergy: Variations on the Golden Ratio Theme. Symmetry: Culture and Science, Vol. 28, No. 4, 2017. |
| [2] | New Perspectives on the Varna Cemetery (Bulgaria) – AMS Dates and Social implications. Antiquity, 81, 2007. |
| [3] | Hristo Smolenov and Hristo Michailov, The Lost Aurolithic Civilization. Codes from a Black Sea Atlantis, Sofia, 2010. |
| [4] | Hristo Smolenov, Zagora – Varna, the Hidden Superculture. Institute of metal science, equipment and technology, Bulgarian Academy of Science. Sofia, 2012. |
| [5] | Sir Patrick Moore, Atlas of the Universe. Sixth edition. Philip‘s, 2007. Reprinted 2010. |
| [6] | Prince Mikasa, in: The First Civilization in Europe and the Oldest Gold Treasure in the World – Varna, Bulgaria. Nippon Television Network Cultural Society, 1982. |
| [7] | Robert Schoch, Forgotten Civilization. The Role of Solar Outbursts in Our Past and Future, Inner Tradition, 2012. |
| [8] | Mark Lehner, The Complete Pyramids, Thames and Hudson, 1997; Courtesy: Mark Lehner, The Complete Pyramids. The American University in Cairo Press, for the precisely delineated silhouette of the Sphinx. |
| [9] | Herodotus, Histories. Cambridge, Massachusettes, Harvard University Press, 1946. |
| [10] | The Seventy Great Mysteries of Ancient Egypt, edited by Bill Manley, Thames and Hudson, London, 2003. |
| [11] | Robert Bauval and Adrian Gilbert, The Orion Mystery, Heinemann, 1994. |
| [12] | Richard P. Feynman, The Strange Theory of Light and Matter, Princeton University, 1985. |
| [13] | Hristo Smolenov, Zeno’s Paradoxes and Temporal Becoming, Studia Logica XLIII, D. Reidel Publishing Company, 1984. |
| [14] | Hristo Smolenov, Sharing Genius with the Universe, The Light Second Code and the Golden Ratio, Sofia, 2016. |
| [15] | Marija Gimbutas, The Language of the Goddess, Thames and Hudson, 2006; also: Maria Gimbutas, Gold Treasure at Varna. Archaeology, 30, (1977). |
| [16] | John Baez, How Many Fundamental Constants Are There? Math.ucr.edu/home/baez/constants/html |
APA Style
Hristo Smolenov. (2021). Reviving the Sphinx by Means of Constants - Codes in a Creative Space. American Journal of Applied Mathematics, 9(1), 20-30. https://doi.org/10.11648/j.ajam.20210901.14
ACS Style
Hristo Smolenov. Reviving the Sphinx by Means of Constants - Codes in a Creative Space. Am. J. Appl. Math. 2021, 9(1), 20-30. doi: 10.11648/j.ajam.20210901.14
AMA Style
Hristo Smolenov. Reviving the Sphinx by Means of Constants - Codes in a Creative Space. Am J Appl Math. 2021;9(1):20-30. doi: 10.11648/j.ajam.20210901.14
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Download@article{10.11648/j.ajam.20210901.14,
author = {Hristo Smolenov},
title = {Reviving the Sphinx by Means of Constants - Codes in a Creative Space},
journal = {American Journal of Applied Mathematics},
volume = {9},
number = {1},
pages = {20-30},
doi = {10.11648/j.ajam.20210901.14},
url = {https://doi.org/10.11648/j.ajam.20210901.14},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajam.20210901.14},
abstract = {This paper deals with ancient codes embedded in world famous artefacts like the Sphinx and pyramids on the plateau of Giza. The same spatial codes are to be found materialized in the most ancient processed gold on Earth – the treasure trove of Varna Necropolis (4600 – 4200 BC). Amazing is the match found between those two groups of artefacts, bearing in mind that the gold from Varna Necropolis is at least 2000 years older than the pyramids. But the prototype of their sacred measure – the so called royal cubit – emerges in the system of measures related to the famous Varna Necropolis. It is there that I have been able to identify the prototypes of universal constants like the Golden ratio and Pi. The synergy of those two constants is there for us to uncover – for instance Pi times the Golden ratio. It is the simplest one in an array of complex proportions which come into effect in regard to primeval gold artefacts as well as pyramids. Surprisingly, the synergy of Pi with an exotic variant of the Golden ratio allows for the inference of a specific number, which matches the Inverse Fine structure constant. For this inference the ratio between the Planck-length and the Light second will be a starting point. On the one hand is the minimum span in the Space-time continuum (the Planck length), and on the other hand - the distance covered by light in vacuum within one second of time (the Light second). The sacred measure of pyramids is the royal cubit comprised of 28 equal parts called “fingers”. The length of the Great Sphinx comprises 140 royal cubits. It can be viewed as a super-measure from which the sizes of the three main pyramids on the plateau of Giza obtain. Suppose we were to divide this super-measure (the Sphinx-length) in 28 equal parts by analogy with the royal cubit being divided in 28 fingers. The result would be a span of 5 royal cubits. I maintain that (the Planck-length) times (10 to the power of 35) times (the Golden ratio number) yields 5 royal cubits, slightly longer than 0.523 meters each. Wishing to get closer to the actual length of the Sphinx, we might as well use a variant of the Golden ratio – the square root of (13/8 x 21/13) whereby 8, 13, 21 are consecutive Fibonacci numbers.},
year = {2021}
}
TY - JOUR T1 - Reviving the Sphinx by Means of Constants - Codes in a Creative Space AU - Hristo Smolenov Y1 - 2021/03/30 PY - 2021 N1 - https://doi.org/10.11648/j.ajam.20210901.14 DO - 10.11648/j.ajam.20210901.14 T2 - American Journal of Applied Mathematics JF - American Journal of Applied Mathematics JO - American Journal of Applied Mathematics SP - 20 EP - 30 PB - Science Publishing Group SN - 2330-006X UR - https://doi.org/10.11648/j.ajam.20210901.14 AB - This paper deals with ancient codes embedded in world famous artefacts like the Sphinx and pyramids on the plateau of Giza. The same spatial codes are to be found materialized in the most ancient processed gold on Earth – the treasure trove of Varna Necropolis (4600 – 4200 BC). Amazing is the match found between those two groups of artefacts, bearing in mind that the gold from Varna Necropolis is at least 2000 years older than the pyramids. But the prototype of their sacred measure – the so called royal cubit – emerges in the system of measures related to the famous Varna Necropolis. It is there that I have been able to identify the prototypes of universal constants like the Golden ratio and Pi. The synergy of those two constants is there for us to uncover – for instance Pi times the Golden ratio. It is the simplest one in an array of complex proportions which come into effect in regard to primeval gold artefacts as well as pyramids. Surprisingly, the synergy of Pi with an exotic variant of the Golden ratio allows for the inference of a specific number, which matches the Inverse Fine structure constant. For this inference the ratio between the Planck-length and the Light second will be a starting point. On the one hand is the minimum span in the Space-time continuum (the Planck length), and on the other hand - the distance covered by light in vacuum within one second of time (the Light second). The sacred measure of pyramids is the royal cubit comprised of 28 equal parts called “fingers”. The length of the Great Sphinx comprises 140 royal cubits. It can be viewed as a super-measure from which the sizes of the three main pyramids on the plateau of Giza obtain. Suppose we were to divide this super-measure (the Sphinx-length) in 28 equal parts by analogy with the royal cubit being divided in 28 fingers. The result would be a span of 5 royal cubits. I maintain that (the Planck-length) times (10 to the power of 35) times (the Golden ratio number) yields 5 royal cubits, slightly longer than 0.523 meters each. Wishing to get closer to the actual length of the Sphinx, we might as well use a variant of the Golden ratio – the square root of (13/8 x 21/13) whereby 8, 13, 21 are consecutive Fibonacci numbers. VL - 9 IS - 1 ER -
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